writer. toronto.
email me. open 24/7.

{ The Night List: March 1-7 }

Things to do in Toronto this week(end), featuring these guys (^) aka Saint Motel.

{ The Night Shift: Toronto's douchebag divide }

Probably the most level-headed - or depressing - thing I’ve written about nightlife in Toronto so far. Us and our empty fucking labels. For The Grid.

{ The Night Shift: Welcome to Chroma }

There’s a new club den in town for the young kids with little money but big dreams. In a deep dark corner of the city that holds the final days of ’90s Toronto rave culture within its rooms. Rife with futurisms, probably a metaphor for all we have left in the night, or ever: to dance/party/smoke/drink/laugh/sweat until the end. And makes me think of this song. Always. Kelis, yo.

{ The Night Shift: Into the Comfort Zone }

Inside Toronto’s most notorious [public] after-hours club. Consider this Part 2. For The Grid. All of my drug references were cut, though, and shit got so heated comments were shut down. Still, it might not have been snowing on the patio, but there was a blizzard inside. Another truth: Despite how much fun everyone seems to be having, watching people mount the white horse right front of you will never cease to trip you out. (Kids today, so sloppy.)

{ The Night Shift: The anonymity of after-hours }

Inside the clandestine, not exactly legal places that keep the party going long after last call. Part 1. For The Grid.

The Night Shift: We could be Sheroes. My column, this week: on the wickedness of last weekend’s woman realness summits all over Toronto: fashion oligarchs, interior design queens, and Erykah Badu. The girl power in full effect. For The Grid. Then read about this band Bizzrah (^) by my musically-tasteful friend Anupa. The next Sheroes is Etta James in Feb. - yeah, you should go.

via fuckyeahsheroes:

The “scene” at Sheroes #6: Erykah BaduPhoto by Tony Halmos. Event GIF by Rea McNamara.

"But the seventh night in Toronto can be akin to those hours you find yourself trying to fall asleep, but just can’t. It’s busy, but subtle. It’s dizzying, but sobering. Every brain cell wants shut down, but the energy keeps your pupils dilated, and the complete silence of being alone in a dark room means your thoughts only want to get louder. The city is sort of like that."
—  fromThe Night Shift: Sunday nights in Toronto. This week, talking about the things we do/don’t, for The Grid.
This is what you could have done last weekend. Click the picture to find out. Oops.

This is what you could have done last weekend. Click the picture to find out. Oops.

{ The Night Shift: Will Toronto ever really be able to embrace its greatness? (with notes from the cutting room floor) }

Ah, Toronto. This week, I asked a question that someone’s probably asked before, but, with everything that’s been going on in politics and the budget this year, it’s never been, or felt, as real as it does right now. At least to me it hasn’t. I’m not trying to answer whether or not we’re a world capital or if we’re even “great.” This, I know. But, ultimately, I’ve realized we are responsible for our own growth, so I put the question out there.

I cut this bit that follows from the original story, but now I think it was (perhaps) more necessary than I realized. It explains a lot about why I give a damn about this city now, but why it wasn’t always so easy to do so.

I grew up in the Jane & Finch area in the ’90s, and lived there until I was about 16. Truth be told, it wasn’t exactly a place you could be proud of, at least not outside of our own community borders. (Just read these Urban Dictionary definitions to get a sense of what the reaction was like when you told people where you lived, and what they would automatically think about you.) I was around a lot of kids my age who, myself included,  were sometimes made to feel like they “would never make it out the ‘hood.” To look back is to see how these experiences - these moments of doubt - really coloured a lot of what I thought about the city as a whole. Of course I knew there was more out there, but it either felt unavailable to me, or unable to provide what I really wanted out of life. I wanted to opt out, to go somewhere legendary. If Jane & Finch was any indication, this city wasn’t where dreams would come true, where people could “come up.” If anything, J&F made me hungry for better things, for more than what I thought Toronto could ever offer. (Plus, let’s remember: Toronto wasn’t even “all that” back in those days anyway, so…)  

But then, things started to change, and the city started to change. I stopped letting things like my lack of money or my lack of pristine postal code define what was possible. I’ve watched this city grow tremendously in the past decade as an observer of it, and even more in the past year as a reporter of it. Each weekend, I get to see the interesting things people are doing and how this city really is better; my serious thoughts on its potential move even further away from that defeatist noise. On the worst days, I used to think about how these limits might be it for me; I used to hate that thought. But, for many reasons, it doesn’t feel like such a tragedy anymore. I want to be here. This is where the real action is happening - and, really, it’s still only the beginning. Why would you want to be anywhere else right now?

Toronto is great, and I think that’s pretty clear. I just wanted to keep reminding people what we’ve got here now, and what we can look forward to. If we’re “pre-climax,” or on the cusp of a “moment” or whatever, the future of this town really could go either way. Especially if we keep undercutting our services and developments. Yeah, people don’t want to think of Toronto as NYC or LA or whatever (hey: we probs never will be), but we can build our own, even better thing if we can fucking take it seriously sometimes.

This was for The Grid.

(Toronto Tempo from Ryan Emond on Vimeo.)

[Flash 9 is required to listen to audio.]

Party rmx feat. Andre 3000 & Kanye West

by Beyonce

The Nocturne: Happy Endings, a monthly dance party that lets you werq with wontonsI went dancing with all these random people in a random hole in the wall in Chinatown for The Grid. I walked up to this place (^) and hoped – for five seconds – that Roman Polanski would be inside. But a story’s a story, and sometimes the best kind leave you dazed and bemused. Starting to think the best stuff happens in places only we know. Read and then go, next month, for New Year’s. Lasers included.